Tuesday 20 September 2011

Visual media, primary sources. Cafe culture.








Coffee culture//Cafe culture.


Coffee culture describes a social atmosphere or series of associated social behaviors that depends heavily upon coffee, particularly as a social lubricant. The term also refers to the diffusion and adoption of coffee as a widely consumed stimulant by a culture. In the late 20th century, particularly in the Western world and urbanized centers around the globe, espresso has been an increasingly dominant form. People that participate in cafe culture are sometimes referred to as "cafe au laiters" and "espressonites"
The formation of culture around coffee and coffeehouses dates back to 14th century Turkey. Coffeehouses in Western Europe and the Eastern Mediterranean were traditionally social hubs, as well as artistic and intellectual centers. For example, Les Deux Magots in Paris, now a popular tourist attraction, was once associated with the intellectuals Jean-Paul Sartre and Simone de Beauvoir. In the late 17th and 18th centuries, coffeehouses in London became popular meeting places for artists, writers, and socialites and were also the center for much political and commercial activity. Elements of today's coffeehouses (slower paced gourmet service, tastefully decorated environments, or social outlets such as open mic nights) have their origins in early coffeehouses, and continue to form part of the concept of coffee culture.
In the United States in particular, the term is frequently used to designate the ubiquitous presence of hundreds of espresso stands and coffee shops in the Seattle metropolitan area and the spread of franchises of businesses such as Starbucks and their clones across the United States. Other aspects of coffee culture include the presence of free wireless Internet access for customers, many of whom do business in these locations for hours on a regular basis. The style of coffee culture varies by country, with an example being the strength of existing cafe style coffee culture in Australia used to explain the poor performance of Starbucks there.
In many urban centers around the world, it is not unusual to see several espresso shops and stands within walking distance of each other or on opposite corners of the same intersection, typically with customers overflowing into parking lots. Thus, the term coffee culture is also used frequently in popular and business media to describe the deep impact of the market penetration of coffee-serving establishments.

Guinness is good? Brief over view of Guinness



Guinness


From Wikipedia, the free encyclopedia

This article is about the type of beer. For other uses, see Guinness (disambiguation).

Guinness ( /ˈɡɪnɪs/ gin-is) is a popular Irish dry stout that originated in the brewery of Arthur Guinness (1725–1803) at St. James's Gate, Dublin. Guinness is directly descended from the porter style that originated in London in the early 18th century and is one of the most successful beer brands worldwide, brewed in almost 50 countries and available in over 100.[1] 1.8 billion pints are sold annually.[1]


A distinctive feature is the burnt flavour which is derived from the use of roasted unmalted barley (though this is a relatively modern development since it did not become a part of the grist until well into the 20th century). For many years a portion of aged brew was blended with freshly brewed product to give a sharp lactic flavour (which was a characteristic of the original Porter).


Although the palate of Guinness still features a characteristic "tang", the company has refused to confirm whether this type of blending still occurs. The thick creamy head is the result of the beer being mixed with nitrogen when being poured. It is popular with Irish people both in Ireland and abroad and, in spite of a decline in consumption since 2001,[2] is still the best-selling alcoholic drink in Ireland [3][4] where Guinness & Co. makes almost €2 billion annually.


The company had its headquarters in London from 1932 onwards. It merged with Grand Metropolitan plc in 1997 and then figured in the development of the multi-national alcohol conglomerate Diageo.



Sign at the Market Street entrance






Crane Street Gate




Arthur Guinness started brewing ales from 1759 at the St. James's Gate Brewery, Dublin. On 31 December he signed (up to) a 9,000 year lease at £45 per annum for the unused brewery.[5][6][7] Ten years later on 19 May 1769 Guinness exported his ale for the first time, when six and a half barrels were shipped to the United Kingdom.


Guinness is sometimes believed to have invented stout,[citation needed] however the first known use of the word stout in relation to beer appears in a letter in the Egerton Manuscript dated 1677,[8] almost 50 years before Arthur Guinness was born. "Stout" originally referred to a beer's strength, but eventually shifted meaning toward body and colour.[9]


Arthur Guinness started selling the dark beer porter in 1778.[10] The first Guinness beers to use the term were Single Stout and Double Stout in the 1840s.[11] Throughout the bulk of its history, Guinness produced 'only three variations of a single beer type: porter or single stout, double or extra and foreign stout for export'.[12]


Already one of the top three British and Irish brewers, Guinness's sales soared from 350,000 barrels in 1868 to 779,000 barrels in 1876.[12] In October 1886 Guinness became a public company, and was averaging sales of 1,138,000 barrels a year. This was despite Guinness' refusal to offer their beer at a discount and no advertising.[12] Even though Guinness owned no public houses, the company was valued at £6 million and shares were twenty times oversubscribed, with share prices rising to a 60% premium on the first day of trading.[12]


The breweries pioneered several quality control efforts. The brewery hired the statistician William Sealy Gosset in 1899, who achieved lasting fame under the pseudonym "Student" for techniques developed for Guinness, particularly Student's t-distribution and the even more commonly known Student's t-test.


By 1900 the brewery was operating unparalleled welfare schemes for its 5000 employees.[12] By 1907 the welfare schemes were costing the brewery £40,000 a year, which was one fifth of the total wages bill.[12] The improvements were suggested and supervised by Sir John Lumsden.


By 1914, Guinness was producing 2,652,000 barrels of beer a year, which was more than double that of its nearest competitor Bass, and was supplying more than 10% of the total UK beer market.[12]


In the 1930s, Guinness became the seventh largest company in the world.[13]


Before 1939, if a Guinness brewer wished to marry a Catholic, his resignation was requested.[13]


Guinness brewed their last porter in 1973.[9]


In the 1970s, following declining sales, the decision was taken to make Guinness Extra Stout more "drinkable". The gravity was subsequently reduced, and the brand was relaunched in 1981.[14] Pale malt was used for the first time, and isomerized hop extract began to be used.[15]


Guinness acquired the Distillers Company in 1986.[16] This led to a scandal over a £5.2 million kickback received during the takeover bid to one of the directors, Mr Ward, approved by the chairman, Mr Saunders.[clarification needed] In the case Guinness plc v Saunders the House of Lords declared that the payment had been invalid.


The company merged with Grand Metropolitan in 1997 to form Diageo PLC.[17] However, due to controversy over the merger, the company was maintained as a separate entity within the Diageo and has retained the rights to the product and all associated trademarks of Guinness. The Guinness brewery in Park Royal, London closed in 2005. The production of all Guinness sold in the UK and Ireland was switched to St. James's Gate Brewery, Dublin.[18]


Guinness has also been referred to as "the black stuff"[19] and as a "Pint of Plain" - referred to in the famous refrain of Flann O'Brien's poem "The Workman's Friend": "A pint of plain is your only man."[20]


Guinness had a fleet of ships, barges and yachts.[21]
[edit]Controversy over proposed sale of St James's Gate


The Sunday Independent reported on 17 June 2007 that Diageo intends closing the historic St James's Gate plant in Dublin and moving to a greenfield site on the outskirts of the city.[22] This news caused some controversy when it was announced.


The following day, the Irish Daily Mail ran a follow-up story with a double page spread complete with images and a history of the plant since 1759. Initially, Diageo said that talk of a move was pure speculation but in the face of mounting speculation in the wake of the Sunday Independent article, the company confirmed that it is undertaking a "significant review of its operations". This review is largely due to the efforts of the company's ongoing drive to reduce the environmental impact of brewing at the St James's Gate plant.[23]


On 23 November 2007, an article appeared in the Evening Herald, a Dublin newspaper, stating that Dublin City Council, in the best interests of the city of Dublin, had put forward a motion to prevent planning permission ever being granted for development of the site thus making it very difficult for Diageo to sell off the site for residential development.


On 9 May 2008, Diageo announced that the St James's Gate brewery will remain open and undergo renovations, but that breweries in Kilkenny and Dundalk will be closed by 2013 when a new larger brewery is opened near Dublin. The result will be a loss of roughly 250 jobs across the entire Diageo/Guinness workforce in Ireland.[24] Two days later, the Sunday Independent again reported that Diageo chiefs had met with Tánaiste Mary Coughlan, the deputy leader of the Government of Ireland, about moving operations to Ireland from the UK to benefit from its lower corporation tax rates. Several UK firms have made the move to pay Ireland's 12.5 percent rate rather than the UK's 28 percent rate.[25] Diageo released a statement to the London stock exchange denying the report.[26] Despite the merger that created Diageo plc in 1997, Guinness has retained its right to the Guinness brand and associated trademarks and thus continues to trade under the traditional Guinness name despite trading under the corporation name Diageo for a brief period in 1997.
[edit]Composition


Guinness stout is made from water, barley, hops, and brewer's yeast, and is treated with isinglass finings made from fishes' air bladders. Although Guinness has claimed that this finings material is unlikely to remain in the finished product, it is generally deemed unsuitable for those following a vegetarian diet.[27][28][29] A portion of the barley is roasted to give Guinness its dark colour and characteristic taste. It is pasteurised and filtered. Despite its reputation as a "meal in a glass", Guinness only contains 198 kcal (838kilojoules) per imperial pint (1460 kJ/l),[30] fewer than skimmed milk or orange juice and most other non-light beers.


Until the late 1950s Guinness was still racked into wooden casks. In the late 1950s and early 1960s aluminium kegs began replacing the wooden casks, these were nicknamed "iron lungs".[31]


Draught Guinness and its canned counterpart contain nitrogen (N2) as well as carbon dioxide. Nitrogen is less soluble than carbon dioxide, which allows the beer to be put under high pressure without making it fizzy. The high pressure of dissolved gas is required to enable very small bubbles to be formed by forcing the draught beer through fine holes in a plate in the tap, which causes the characteristic "surge" (the widget in cans and bottles achieves the same effect). The perceived smoothness of draught Guinness is due to its low level of carbon dioxide and the creaminess of the head caused by the very fine bubbles that arise from the use of nitrogen and the dispensing method described above. "Original Extra Stout" contains only carbon dioxide,[32] causing a more acidic taste.


Contemporary Guinness Draught and Extra Stout are weaker than they were in the 19th century, when they had an original gravity of over 1.070. Foreign Extra Stout and Special Export Stout, with abv of 7.5% and 8% respectively, are perhaps closest to the original in character.[33]


Although Guinness may appear to be black, it is officially a very dark shade of ruby.[34]


Bottle conditioned Guinness Extra Stout was available in the UK until 1994, and in Ireland until early 2000
Guinness and health





Pint of Guinness


Studies claim that Guinness can be beneficial to the heart. Researchers found that "'antioxidant compounds' in the Guinness, similar to those found in certain fruits and vegetables, are responsible for health benefits because they slow down the deposit of harmful cholesterol on the artery walls."[36][37]


Guinness ran an advertising campaign in the 1920s which stemmed from market research - when people told the company that they felt good after their pint, the slogan was born – "Guinness is Good for You". This type of advertising for alcoholic drinks that implies improved physical performance or enhanced personal qualities is now prohibited in Ireland.[38] Diageo, the company that now manufactures Guinness, now says: "We never make any medical claims for our drinks."[39]


Some vegetarians might object to Guinness as the production process involves the use of isinglass made from fish. It is used as a fining agent for settling out suspended matter in the vat.[27] The isinglass is retained in the floor of the vat but it is possible that minute quantities might be carried over into the beer.[40]
[edit]Varieties







Guinness Original/Extra Stout




In October 2005, Guinness announced the Brewhouse Series, a limited-edition collection of draught stouts available for roughly six months each. There were three beers in the series.
Brew 39 was sold in Dublin from late 2005 until early 2006. It had the same alcohol content (ABV) as Guinness Draught, used the same gas mix and settled in the same way, but had a slightly different taste. Many found it to be lighter in taste,[51] somewhat closer to Beamish stout[52] than standard Irish Guinness.[53]
Toucan Brew was introduced in May 2006. It was named after the cartoon toucan used in many Guinness advertisements. This beer had a crisper taste with a slightly sweet aftertaste due to its triple-hopped brewing process.
North Star was introduced in October 2006 and sold until into late 2007. Three million pints of North Star were sold in the latter half of 2007.[54]


Despite an announcement in June 2007 that the fourth Brewhouse stout would be launched in October that year,[55] no new beer appeared and, at the end of 2007, the Brewhouse series appeared to have been quietly cancelled.


In March 2006, Guinness introduced the "surger" in Britain. The surger is a plate-like electrical device meant for the home. It sends ultrasonic waves through a Guinness-filled pint glass to recreate the beer's "surge and settle" effect. The device works in conjunction with special cans of surger-ready Guinness. Guinness tried out a primitive version of this system in 1977 in New York. The idea was abandoned until 2003, when it began testing the surger in Japanese bars, most of which are too small to accommodate traditional keg-and-tap systems. Since then, the surger has been introduced to bars in Paris. Surgers are also in use in Australia and Athens, Greece. The surger for the US market was announced on 14 November 2007; plans were to make the unit available to bars only. [56] As of 2011, however hard to find, the surger is available for purchase both for bars and regular customers.


Withdrawn Guinness variants include Guinness's Brite Lager, Guinness's Brite Ale, Guinness Light, Guinness XXX Extra Strong Stout, Guinness Cream Stout, Guinness Gold, Guinness Pilsner, Guinness Breó (a slightly citrusy wheat beer), Guinness Shandy, and Guinness Special Light.


Breó (meaning 'glow' in ancient Irish) was a wheat beer; it cost around IR£5 million to develop.


For a short time in the late 1990s, Guinness produced the "St James's Gate" range of craft-style beers, available in a small number of Dublin pubs. The beers were: Pilsner Gold, Wicked Red Ale, Wildcat Wheat Beer and Dark Angel Lager.


A brewing byproduct of Guinness, Guinness Yeast Extract (GYE), was produced until the 1950s. In the UK, an HP Guinness Sauce has recently been made available, manufactured by Heinz.[57] Kraft also licenses the name for its Barbecue sauce product, Bull's-Eye Barbecue Sauce.


In March 2010, Guinness began test marketing Guinness Black Lager, a new black lager, in Northern Ireland and Malaysia.[58] As of September 2010, Guinness Black Lager is no longer readily available in Malaysia. In October, 2010, Guinness began selling Foreign Extra Stout in 4 packs of bottles in the United States. [59]
[edit]Pouring and serving




An example of the newly designed Guinness pint glass released in 2010.


What Diageo calls the "perfect pint" of Draught Guinness is the product of a "double pour", which according to the company should take 119.53 seconds. Guinness has promoted this wait with advertising campaigns such as "good things come to those who wait". Draught Guinness should be served at 6°C (42.8°F), while Extra Cold Guinness should be served at 3.5°C (38.6°F).


A pint of Guinness should be served in a slightly tulip shaped pint glass (as opposed to the taller European tulip glass or 'Nonic' glass, which contains a ridge approx 3/4 of the way up the glass). On the way to the tap, the beer is passed through a chiller and is forced through a five-hole disc restrictor plate in the end of the tap, which increases the fluid pressure and friction, forcing the creation of small bubbles which form a creamy head. The glass is then rested until the initial pour settles, and the remainder of the glass is then filled with a slow pour until the head forms a slight dome over the top of the glass.


Canned Draught Guinness should be poured into a large glass in one smooth action, while bottled Draught Guinness should be drunk straight from the bottle.


In April 2010, Guinness redesigned the Guinness pint glass for the first time in a decade. The new glass is taller and narrower than the previous one and features a bevel design. The new glasses are planned to gradually replace the old ones.
Sinking bubbles


A long time subject of bar conversations is the Guinness cascade, where the gas bubbles appear to travel downwards in a pint glass of Guinness.


The effect is attributed to drag; bubbles that touch the walls of a glass are slowed in their travel upwards. Bubbles in the centre of the glass are, however, free to rise to the surface, and thus form a rising column of bubbles. The rising bubbles create a current by the entrainment of the surrounding fluid. As beer rises in the centre, the beer near the outside of the glass falls. This downward flow pushes the bubbles near the glass towards the bottom. Although the effect occurs in any liquid, it is particularly noticeable in any dark nitrogen stout, as the drink combines dark-coloured liquid and light-coloured bubbles.
[edit]Culinary uses


Guinness is frequently used as an ingredient in recipes, often to add a seemingly authentic Irish element to the menus of faux-Irish pubs in the United States, where it is stirred into everything from french toast to beef stew.


A popular, authentic, Irish course featuring Guinness is the "Guinness and Steak Pie." The recipe includes many common Irish herbs, as well as beef brisket, cheeses, and a can of Guinness.
Advertising


It has been said that Guinness uses the harp of Brian Boru as its trademark. However there are differences between the logo and the Brian Boru harp. This harp, dating from the 14th or 15th century, which is on view at Trinity College, Dublin, has been a symbol of Ireland since the reign of Henry VIII (16th century). Guinness adopted the harp as a logo in 1862; however, it faces right instead of left, and so can be distinguished from the Irish coat of arms.


Since the 1930s in the face of falling sales, Guinness has had a long history of marketing campaigns, from award-winning television advertisements to beer mats and posters. Before then, Guinness had almost no advertising, instead allowing for word of mouth to sell the product.

Guinness's iconic stature is partly due to its advertising. The most notable and recognisable series of adverts was created by Benson's advertising, primarily drawn by the artistJohn Gilroy, in the 1930s and '40s. Benson created posters that included phrases such as "Guinness for Strength", "Lovely Day for a Guinness", "Guinness Makes You Strong," "My Goodness My Guinness," (or, alternatively, "My Goodness, My Christmas, It's Guinness!") and most famously, "Guinness is Good For You". The posters featured Gilroy's distinctive artwork and more often than not featured animals such as a kangaroo, ostrich, seal, lion and notably a toucan, which has become as much a symbol of Guinness as the harp. (An advertisement from the 1940s ran with the following jingle: "Toucans in their nests agree/Guinness is good for you/Try some today and see/What one or toucan do.") Dorothy L. Sayers and Bobby Bevan copywriters at Benson's also worked on the campaign; a biography of Sayers notes that she created a sketch of the toucan and wrote several of the adverts in question. Guinness advertising paraphernalia, notably the pastiche booklets illustrated by Ronald Ferns, attract high prices on the collectible market.


In 1983 a conscious marketing decision was made to turn Guinness into a "cult" beer in the UK, amidst declining sales. The move was judged successful, halting the sales decline, and Guinness has arguably been marketed as a cult beer in the UK and America ever since. The Guardian described the management of the brand:

"they've spent years now building a brand that's in complete opposition to cheap lagers, session drinking and crowds of young men boozing in bars. They've worked very hard to help Guinness drinkers picture themselves as twinkly-eyed, Byronic bar-room intellectuals, sitting quietly with a pint and dreaming of poetry and impossibly lovely redheads running barefoot across the peat. You have a pint or two of Guinness with a slim volume of Yeats, not eight mates and a 19 pint bender which ends in tattoos, A&E and herpes from a hen party."


In the late 1980s and early 1990s in the UK there was a multi-award-winning series of "darkly" humorous adverts, featuring actor Rutger Hauer, with the theme "Pure Genius", extolling its qualities in brewing and target market.


The 1994–1995 Anticipation campaign, featuring actor Joe McKinney dancing to "Guaglione" by Perez Prado while his pint settled, became a legend in Ireland and put the song to number one in the charts for several weeks. The advertisement was also popular in the UK where the song reached number two.


In 2000, Guinness's 1999 advertisement Surfer was named the best television commercial of all time in a UK poll conducted by The Sunday Times and Channel 4. This advertisement is inspired by the famous 1980s Guinness TV and cinema ad, "Big Wave", centred on a surfer riding a wave while a bikini-clad sun bather takes photographs. The 1980s advertisement not only remained a popular iconic image in its own right but also entered the Irish cultural memory through inspiring a well known line in Christy Moore's 1985 song "Delirium Tremens". Surfer was produced by the advertising agency Abbott Mead Vickers BBDO; the advertisement can be downloaded from their website.


Guinness won the 2001 Clio Award as the Advertiser of the Year, citing the work of five separate ad agencies around the world.


In 2003 the Guinness TV campaign featuring Tom Crean won the gold Shark Award at the International Advertising Festival of Ireland, while in 2005 their Irish Christmas campaign took a silver Shark. This TV ad has been run every Christmas since 2003 and features pictures of snow falling in places around Ireland, evoking the James Joycestory The Dead, finishing at St. James's Gate Brewery with the line "Even at the home of the black stuff they dream of a white one".


Their UK commercial noitulovE, first broadcast in October 2005, was the most-awarded commercial worldwide in 2006[79] In it, three men drink a pint of Guinness, then begin to both walk and evolve backward. Their 'reverse evolution' passes through an ancient homo sapiens, a monkey, a flying lemur, a pangolin, an ichthyosaur and a velociraptor until finally settling on a mud skipper drinking dirty water, which then expresses its disgust at the taste of the stuff, followed by the line "Good Things Come To Those Who Wait". The official name of the ad is "Noitulove"—which is "Evolution" backwards. This was later modified to have a different endings to advertise Guinness Extra Cold, often shown as "break bumpers" at the beginning and end of commercial breaks. The second endings show either the homo sapiens being suddenly frozen in a block of ice, the ichthyasaurs being frozen whilst swimming, or the pool of muddy water freezing over as the mud skipper takes a sip, freezing his tongue to the surface.


Guinness's 2007 advert, directed by Nicolai Fuglsig and filmed in Argentina is titled "Tipping Point". It involves a large-scale domino chain-reaction and, with a budget of £10m, is the most expensive advertisement for the company so far.


And in 2009, the "To Arthur" advert, which started with two friends realising the long history, hail each other by lifting up their glass and saying "to Arthur!". The hailing slowing spread throughout the bar itself to the streets outside, which accuminates to around the world. The advert end with the voiceover, "Join the worldwide celebration, of a man named Arthur"


The latest advert is a discordic musical inside the pint, with the new slogan "17:59, it's Guinness time".


The event is now known as Guinness Arthur's Day. "Arthur's Day is a series of events and celebrations taking place around the world to celebrate the life and legacy of Arthur Guinness and the much-loved Guinness® beer which Arthur brought to the world."It took place for the second time at 17:59pm on September 23rd 2010.
[edit]Worldwide sales





A pint of Guinness with a slice of wheaten bread and butter.


Sales of Guinness in Ireland and Britain declined 7% in 2006.[84] Despite this, Guinness still accounts for more than a quarter of all beer sold in Ireland.


Guinness has a significant share of the African beer market, where Guinness has been sold since 1827. About 40% of worldwide total Guinness volume is brewed and sold in Africa, with Foreign Extra Stout the most popular variant. The Michael Power advertising campaign was a critical success for Guinness in Africa, running for nearly a decade before being replaced in 2006 with "Guinness Greatness".


Guinness Stout is brewed under licence internationally in several countries, including Nigeria,[86][87] the Bahamas, Canada,[88] and Indonesia.[89] The unfermented but hopped Guinness wort extract is shipped from Dublin and blended with beer brewed locally.


The UK is the only sovereign state to consume more Guinness than Ireland, and the third largest Guinness drinking nation is Nigeria, followed by the USA.[90] The United States consumed more than 950,000 hectolitres of Guinness in 2010.
Merchandising


During Saint Patrick's Day outside Ireland, Guinness merchandise is available in many places that sell the drink. Merchandise includes clothing and hats, often available from behind the bar after a specified number of pints of Guinness have been purchased. In addition it is possible to purchase branded merchandise online at the Guinness Webstore.


There is a popular tourist attraction for Guinness at St. James's Gate Brewery in Dublin, called the Guinness Storehouse, where a self-guided tour of the attraction starts with an overview of the ingredients used to make Guinness followed by a step-by-step description of how Guinness is made. After this a pint of Guinness is offered inclusive of the tour price, which you may pour yourself at one of the bars after a short demonstration by one of the staff. This entitles the 'initiate' to a certificate. There are videos showing, among other production stages, how Guinness is regularly tested by a panel of tasters and the visitor is shown how to properly taste Guinness. The rest of the tour includes many things such as the coopering trade within Guinness many years ago, a section dedicated to the advertising and merchandising efforts of Guinness over the years, and a section dedicated to historical artifacts and footage relating to Guinness. The tour finishes with a free pint of Guinness (if it has not already been availed of at one of the other bars) at the top of the 7 story high building in the Gravity Bar, the highest bar in Dublin. There the pint may be enjoyed with a 360-degree view of the city. Two other bars and a restaurant are available to visitors during the tour and a full selection of Guinness merchandise is available to purchase.





Monday 19 September 2011

Guinness is good?//Advertising


A Toast to Guinness Advertising


Guinness produces brilliant advertising. Oh, and their stout is not too shabby either.
For creative types, beer is the Holy Grail of advertising accounts, because almost anything goes. It’s a chance to do outrageous gags with big budgets. But the problem with most beer commercials is that they usually end up being generic and formulaic. Funny set-up, add logo, insert tag line as punch line at the end. Done.
Guinness has always been different. Sure, it’s had plenty of big budget TV spots, but they’ve always been based on the brand’s “unique differentiators” (as they say in marketing-speak): the Irish heritage and the slow pour that a good stout requires. Guinness commercials wouldn’t work for any other brewer.

A Guinness Facebook post recently asked fans to list their favorite tag line from the brand. The responses were many and varied: “Brilliant.” “Good things come to those who wait.” “It’s good for you.” “Guinness for strength.” “It’s alive inside.” “My goodness, my Guinness!”

Vintage Guinness ad illustrated by John Gilroy.
The latest Guinness TV commercial(also on their Facebook page), puts the viewer in the perspective of being inside the world’s biggest pint as it’s being poured from the tap.
Strong Print
Budweiser made an advertising splash in the ’90s with frogs and lizards, but Guinness used animals in their advertising decades ago. Benson advertising first created the iconic Guinness look in the 1930s with posters illustrated by John Gilroy. The ads featured a variety of animals, especially toucans and penguins, with catchy headlines such as “Guinness is good for you,” and “Guinness for Strength.”
Guinness’ TV Budget Runneth Over
Guinness has maintained its position by continually pushing the boundaries of television marketing. The 1999 spot “Surfer,” produced by Abbott Mead Vickers BBDO, was honored as the “best television commercial of all time” (!) in a UK poll. What does an Irish beer have to do with surfing? The commercial uses Hawaiian surfers who wait for the perfect wave as metaphor for their tag line about time it takes to pour the perfect pint.

The brewer’s “noitulovE” (“evolution” spelled backwards) television commercial was the Cannes Grand Prix winner and most-awarded spot of 2006. Set to the song “The Ryhthm of Life” sung by Sammy Davis Jr., it depicts three Guinness drinkers traveling back time and de-evolving into thirsty mud-skippers. The spot concludes with the pay-off line “Good things come to those who wait.”

Guinness set out to top “noitulovE” in 2007 with their biggest TV production yet—the £10 million “Tipping Point.” Directed by Nicolai Fuglsig, the commercial employed an elaborate and increasingly large domino set-up that culminated in a larger-than-life virtual pint in the town square of an Argentine village.

Guinness’ recent print ads have been as distinctive and arresting as the rest of their work. Check out their recent “body parts” campaign.

"Stout as different as you are."

"Stout as smooth as you are."

"Stout as strong as you are."

"Stout as unique as you are."

"What's on your mind?" A few pints of Guinness can make you see things.
What are your favorite Guinness ads? You can view some more Guinness work at designyourway.net. Or perhaps you prefer other beer commercials, like the Budweiser frogs or the Most Interesting Man in the World. What other brewers do you think give Guinness a run for their marketing money?









Chateaux in France//Tourism




France has the fifth wealthiest economy.
France is the world's TOP tourist destination with 81.9 million visitors each year. Château de Chambord bring in 711,000 visitors every year, to compare to other destinations





Tourism in France 


The Palace of Versailles is one of the most popular tourist destinations in France. France is the world's top tourist destination with more than 81.9 million foreign tourists in 2007,[24] ahead of Spain (58.5 million in 2006) and the United States (51.1 million in 2006). This 81.9 million figure excludes people staying less than 24 hours in France, such as northern Europeans crossing France on their way to Spain or Italy during the summer. France features cities of high cultural interest (Paris being the foremost), beaches and seaside resorts, ski resorts, and rural regions that many enjoy for their beauty and tranquillity (green tourism). France also attracts many religious pilgrims to Lourdes, a town in the Hautes-Pyrénées département, that hosts a few million visitors a year. Popular tourist sites include: (according to a 2003 ranking[25] visitors per year): Eiffel Tower (6.2 million), Louvre Museum (5.7 million), Palace of Versailles (2.8 million), Musée d'Orsay (2.1 million), Arc de Triomphe (1.2 million), Centre Pompidou (1.2 million), Mont-Saint-Michel (1 million), Château de Chambord (711,000), Sainte-Chapelle (683,000), Château du Haut-Kœnigsbourg (549,000), Puy de Dôme (500,000), Musée Picasso (441,000),Carcassonne (362,000).




Chateaux 

A château (plural châteaux; French pronunciation: [ʃɑ.to] for both the singular and the plural) is a manor house or residence of the lord of the manor or a country house of nobility or gentry, with or without fortifications, originally—and still most frequently—in French-speaking regions. Where clarification is needed, a fortified château (that is, a castle) is called a château fort, such as Château fort de Roquetaillade. Care should be taken when translating the word château into English. It is not used in the same way as "castle", and most châteaux are described in English as "palaces" or "country houses" rather than "castles". For example, the Château de Versailles is so called because it was located in the countryside when it was built, but it does not bear any resemblance to a castle, so it is usually known in English as the Palace of Versailles.The urban counterpart of château is palais, which in French is applied only to grand houses in a city. This usage is again different from that of the term "palace" in English, where there is no requirement that a palace must be in a city, but the word is rarely used for buildings other than the grandest royal residences. The expression hôtel particulier is used for an urban "private house" of a grand sort. Some castles are now used as hotels.


Loir-et-Cher

The architectural heritage in the valley's historic towns is notable, especially its châteaux, such as the Château d'Amboise,Château de Chambord, Château d'Ussé, Château de Villandry and Chenonceau. The châteaux, numbering more than three hundred, represent a nation of builders starting with the necessary castle fortifications in the 10th century to the splendor of those built half a millennium later. When the French kings began constructing their huge châteaux here, the nobility, not wanting or even daring to be far from the seat of power, followed suit. Their presence in the lush, fertile valley began attracting the very best landscape designers. In addition to its many châteaux, the cultural monuments illustrate to an exceptional degree the ideals of the Renaissance and the Age of the Enlightenment on western European thought and design.
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Chateau of Chenonceau

The Château de Chenonceau (French: [ʃa.to də ʃə.nɔ̃.so]) is a manor house near the small village of Chenonceaux, in the Indre-et-Loire département of the Loire Valley in France. It was built on the site of an old mill on the River Cher, sometime before its first mention in writing in the 11th century. The current manor was designed by the French Renaissance architect Philibert Delorme.






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Chateau de Chissay











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Château de Chambord 

The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizablechâteaux in the world because of its very distinct French Renaissance architecture which blends traditional French medieval forms with classical Renaissance structures.[nb 1]The building, which was never completed, was constructed by King François I in part to be near to his mistress the Comtesse de Thoury, Claude Rohan, wife of Julien de Clermont, a member of a very important family of France, whose domaine, the château de Muides, was adjacent.[nb 2] Her arms figure in the carved decor of the château.Chambord is the largest château in the Loire Valley; it wias built to serve as a hunting lodge for François I, who maintained his royal residences at Château de Blois and Château d'Amboise. The original design of the Château de Chambord is attributed, though with several doubts, to Domenico da Cortona. Some authors claim that the French Renaissance architect Philibert Delorme had a considerable role in the château's design,[2] and others have suggested that Leonardo da Vinci may have designed it.Chambord was altered considerably during the twenty years of its construction, (1519–1547), during which it was overseen on-site by Pierre Nepveu. With the château nearing completion, François showed off his enormous symbol of wealth and power by hosting his old archnemesis, Emperor Charles V at Chambord.






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Château de Blois

The Royal Château de Blois is located in the Loir-et-Cher département in the Loire Valley, inFrance, in the center of the city of Blois. The residence of several French kings, it is also the place where Joan of Arc went in 1429 to be blessed by the Archbishop of Reims before departing with her army to drive the English from Orléans.

Built in the middle of the town that it effectively controlled, the château of Blois comprises several buildings constructed from the 13th to the 17th century around the main courtyard.

It has 564 rooms and 75 staircases although only 23 were used frequently. There is a fireplace in each room. There are 100 bedrooms.











While visiting France and the chateaux there I took 535 photographs to record my visit.





Questionnaires










Friday 16 September 2011

What is good? Initial thoughts.

With this summer brief I have decided on the topics that correspond to each of the topics, these are:


PLACE: Chateaux in France. 


I chose to look into this as I was travelling to France, specifically the Loire Valley.  Here I saw some of the architecture and tourism that relates to chateaux in that area. Visiting this area allowed me to have first hand accounts on peoples opinions and take photos myself while collecting further primary research. 


Photograph taken by Chloe Wilkinson 
The royal Château de Chambord at ChambordLoir-et-CherFrance 



ACTIVITY: Café culture/Coffee culture 

Photograph taken by Chloe Wilkinson 



CONCEPT: Questioning 



OBJECT: A pint of Guinness



OPINION: TBC